In the existing industry, a director who is well versed in his or her craft, and who has relevant stories to offer and good abilities to lead these visions into practice, is often enough. For a long time, to interpret and develop the classic, as well as the new repertoire, formally and substantively, has been where the challenge lies. This approach is embedded in a hierarchical pattern where the playwright/director/and partly set designer have been the concept-developing artists.
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